Sid Miller Launches Crow Arts Manor: Arts Education is a Right

I always love how the Tin House summer workshop lets you hear Steve Almond talk about sex writing, or Aimee Bender talk about the plot-driven plot, all for $15. Burnside Review editor-in-chief Sid Miller is founding a new writing/arts center, Crow Arts Manor, that will make it highly accessible to work with some of the city’s finest artists such as cartoonist Jesse Reklaw, fiction writers Monica Drake and Lidia Yuknavitch, poets Emily Kendal Frey (pictured below with Miller) and Zach Schomburg and Mercury journalist Marjorie Skinner to name a few. Similar to LA writing center Beyond Baroque, Miller would like “ongoing arts education to be a right, not a privilege.”

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SHARE #8: Force

THE PROMPT

The lovely Margaret Malone and Kathleen Lane invited me to come as an artist to SHARE recently. Previously, I had attended their showcase and been quite overwhelmed by the amount of cool stuff in progress around the space. Mark Russell was nice enough to be my plus one, but when we got there, we discovered the happy accident that actually the regular SHARE is a participant-only space. For two hours, everyone in the room is creating. You get the prompt when you come in the door, which this time was FORCE, and you just go. Mark is a writer too after all, so we decided to collaborate.

Our process was that we started from the idea about force as a rule or change forcing you to do something. Mark began to write satirical airport rules so I started to think of a narrative that would play off of the airport setting, and then we juxtaposed the two pieces without looking at what each other were writing.

THE PIECE
Italics for Mark’s piece, regular font for mine.

The night before I went home to the US, Matt and I got to the Budapest airport completely out of cash. It was a boxy white space with high ceilings and concrete pillars and looked Communist. It looked like it would have rules. We had enough cash to stay in a hostel when we got to town but had decided it would be more fun to stay up all night drinking, so now we had to sleep in the airport. It’s the kind of thing you do when you’re not really getting along. Going out had been Matt’s idea but got no argument from me. If I held a plastic cup of red wine and coke in a dark cellar bar blasting the Pink Floyd, it was easier somehow to ignore the way his brown eyes never seemed to meet mine, the way he always seemed to be looking away from me.

On behalf of the Federal Aviation Administration, welcome to the United States. Please remove any metallic objects, belts, electronic devices, toiletries, shoes or prosthetic limbs and place them in the eight ounce cup provided to your left. Please note that as part of the new American Culture Preservation Initiative, a fine of forty-eight dollars will be assessed on anyone discussing the Broadway production of Spiderman, sporting a tribal armband tattoo or reading a Harry Potter book if you are over the age of thirteen. I mean, really people.

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LIVE at the Body Show Benefit: Danielle Fish

Danielle Fish plays vintage R&B covers of Wanda Jackson, the Beatles and more. The benefit was a premiere for The Body Show:The Humble Egg, an experimental short film by Nora Robertson and Jason Bahling about a kitschy 60’s cooking show for housewives that hurtles the host into a private world of tangential madness and repressed memories of her grandmother. Hosted by Mark Russell. Documentation by Karl Lind of In the Can Productions.

LIVE at the Body Show Benefit: Danielle Fish from Nora Robertson on Vimeo.


LIVE at the Body Show: Nathaniel Boggess

Nathaniel Boggess tells an early version of his recent Portland Center Stage show, “I Was a Fat Kid. I Was a Really Fat Kid” at the Body Show Benefit. The benefit was a premiere for The Body Show:The Humble Egg, an experimental short film by Nora Robertson and Jason Bahling about a kitschy 60’s cooking show for housewives that hurtles the host into a private world of tangential madness and repressed memories of her grandmother. Hosted by Mark Russell. Documentation by Karl Lind of In the Can Productions.

LIVE at the Body Show Benefit: Nathaniel Boggess from Nora Robertson on Vimeo.


LIVE at the Body Show Benefit: Voodoo Doughnut Contest

Brad Fortier, Matt Bors, Karl Kling, Danielle Fish, and Stumptown’s Tony Thayer eat doughnuts creatively in the Voodoo Doughnut Contest at the Body Show Benefit. Judged by Voodoo Doughnuts owner Tres Shannon, Shannon Wheeler, and Tiffany Lee Brown. The benefit was a premiere for The Body Show:The Humble Egg, an experimental short film by Nora Robertson and Jason Bahling about a kitschy 60’s cooking show for housewives that hurtles the host into a private world of tangential madness and repressed memories of her grandmother. Hosted by Mark Russell. Documentation by Karl Lind of In the Can Productions.

LIVE at the Body Show Benefit: The Voodoo Doughnut Contest from Nora Robertson on Vimeo.


LIVE at the Body Show Benefit: B. Frayn Masters

Sketch comic/Back Fence producer B. Frayn Masters at the Body Show Benefit telling a never-before-heard story about losing her virginity, growing up Catholic and a fateful baseball game at the Body Show Benefit. The benefit was a premiere for The Body Show:The Humble Egg, an experimental short film by Nora Robertson and Jason Bahling about a kitschy 60’s cooking show for housewives that hurtles the host into a private world of tangential madness and repressed memories of her grandmother. Hosted by Mark Russell. Documentation by Karl Lind of In the Can Productions.

LIVE at the Body Show Benefit: B. Frayn Masters from Nora Robertson on Vimeo.


LIVE at the Body Show Benefit: Gigi Little

A woman wants to come naked out of a cake for her husband’s birthday. Portland Noir contributor Gigi Little reading original fiction at the Body Show Benefit.

LIVE at the Body Show Benefit: Gigi Little from Nora Robertson on Vimeo.


Evacuation

I discovered an ant infestation in my peppermint last summer and decided I needed to do a real cleansing of the pot. As I ripped out their colony, I destroyed their hallways, nurseries, pantries and the queen’s rooms with a thumb over the hose. I know what’s supposed to be in there from watching nature programs at my grandma’s when I was a kid. Even after blasting them full-strength, they still came crawling out in waves from the ruined nest. It made me think of how empires fall and those same questions I had when I was a kid about whether we think animals don’t have the same social structures we do because we can’t communicate with them. This may be partly because my mom had a book about the secret life of plants that claimed plants had emotional reactions because the author had hooked electrodes up to some philodendrons and detected a pulse of neutrons. I wondered if the ants had any sense that they were about to be uprooted, whether they thought everything would go on the same forever.  Whether they heard the hard spray of water in the distance and just thought it was part of the variations in the weather lately.  I couldn’t help watching the ant soldiers and rooting for them. They would survive another day. They would go on to mutate another queen and found a new ant society away from my herbs where I could be happy for them instead of wanting to kill them. I ended up leaving the pot for several days before going after it with the hose again, to give them more time for their getaway. The same summer, I found these mysterious poles in a field off I-5 with a gold eagle at the top of one just like the Masonic symbols I saw all over Prague, left over from the former Czech empire.


The Future of Publishing + Matthew Stadler and Aaron Colter

Publishing in the last decade has become a much less vertical cultural space. It’s like the difference between NY, which has tall skyscrapers with penthouse offices at the top, and suburbia, where the hotspots are more spread out and equal. Because of the internet, it’s more possible as an outsider to get attention, to talk with whoever in the world is interested in having the same kinds of conversations. The challenge is to cut through the noise to find the people you want to talk with.  PageTurn’s Future of Publishing performative lecture event last Wednesday aimed to take on how publishing is evolving in this new cultural sprawl, something the talks in part addressed. A small crowd of mostly Portland literary folks drank wine in the tall boxy white space of the Cleaners and watched a lineup of seven-minute powerpoint presentations by Dark Horse Comic’s Aaron Colter, Publishing Studio’s Matthew Stadler, Wordstock director Greg Netzer, and IPRC director Justin Hocking, and others.

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NEW OREGON INTERVIEW SERIES FASHION NIGHT

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HOST NORA ROBERTSON WITH ADAM ARNOLD, RYAN CHRISTENSEN AND ELIZABETH DYE
WED, JAN 27TH, 2010

The New Oregon Interview Series brought three prominent Portland fashion designers together for an evening of intimate conversation. A former Willamette Week fashion columnist and owner/designer of the English Dept., Elizabeth Dye has produced handmade ready to wear and bridal pieces since her first collection in 2001. Owner/founder of Portland Monthly’s 2006 Best Local Clothing line Sameunderneath for ten years, Ryan Christensen currently sits on the board of Caldera, a non-profit arts education and camp for underserved Oregon children. A collaborator in Portland’s The Collections and Fashion Week since 2001 and nationally distributed, Adam Arnold designs and creates two men and women’s lines of ready to wear and made to measure services from his Portland studio.
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