Publishing in the last decade has become a much less vertical cultural space. It’s like the difference between NY, which has tall skyscrapers with penthouse offices at the top, and suburbia, where the hotspots are more spread out and equal. Because of the internet, it’s more possible as an outsider to get attention, to talk with whoever in the world is interested in having the same kinds of conversations. The challenge is to cut through the noise to find the people you want to talk with. PageTurn’s Future of Publishing performative lecture event last Wednesday aimed to take on how publishing is evolving in this new cultural sprawl, something the talks in part addressed. A small crowd of mostly Portland literary folks drank wine in the tall boxy white space of the Cleaners and watched a lineup of seven-minute powerpoint presentations by Dark Horse Comic’s Aaron Colter, Publishing Studio’s Matthew Stadler, Wordstock director Greg Netzer, and IPRC director Justin Hocking, and others.
Posts Tagged ‘Dark Horse Comics’
NEW OREGON INTERVIEW SERIES VISUAL ART NIGHT
HOST NORA ROBERTSON WITH MICHAEL BROPHY, STEPHANIE SNYDER AND SHAWNA GORE NOVEMBER 11TH, 2009
The New Oregon Interview Series brought three prominent Portland art makers together for an evening of intimate conversation. Painter Michael Brophy, Cooley Gallery director Stephanie Snyder and Dark Horse Comics editor Shawna Gore sat down to discuss their work and how our visual art culture is evolving on November 11th at Urban Grind East. Collected by the Seattle Art Museum, the Portland Art Museum and Microsoft, Brophy’s work was the subject of a Tacoma Art Museum exhibition, “The Romantic Vision of Michael Brophy”, and appeared in their recent 9th Northwest Biennial. A 2007 Getty Foundation Fellow, Snyder is the director/curator of the Cooley Gallery at Reed and has co-hosted the Back Room discussion series. An editor at Dark Horse since 2003, Gore’s work on the CREEPY Archives and the Herbie Archives hardcover series earned her two 2009 Eisner Awards. Host Nora Robertson conceived the New Oregon Interview Series to find out how Portland’s blossoming creative culture has developed and where it’s headed. “A lot has changed in the past decade,” Robertson says. “The best perspective comes from the artists themselves—and the designers, writers, chefs, and venues who make things happen here.” “A lot has changed in the past decade,” Robertson says. “The best perspective comes from the artists themselves—and the designers, writers, chefs, and venues who make things happen here.” The Oregonian’s Barry Johnson remarked “at this point, we don’t know whether we’re headed back where we left off 18 months ago or whether we’re going somewhere completely new. That question is at the center of the New Oregon Interview Series.” The New Oregon Interview Series is presented by New Oregon Arts and Letters, a 501c(3) nonprofit organization formerly known as 2GQ, the publishers of 2 Gyrlz Quarterly.
LISTEN FOR YOURSELF




Courtesy of Laura Russo Gallery

READ MORE Suddenly “‘suddenly: where we live now’ at the Pomona College Museum of Art”, Afterall “Just Across That Stand of Trees: Lake Burien, Posters, Hooch, Google Earth, and How to Make Art of Land”, The Stranger




Courtesy of Dark Horse Comics
Dark Horse Comics tattoo
Several months ago, I ran into my friend Shannon Wheeler at about 10 o’clock at the gym, and we decided to reward our efforts with a beer at Chopsticks karaoke bar, which is a Chinese restaurant that a lot of k-stars and musicians tend to sing at. One of my favorite facts about Chopsticks is that Elliot Smith used to sing here. We sat down on what I remember as red patent pleather bar stools and ordered a couple Pabst and tried to decide if we were brave enough to sing.


