Posts Tagged ‘Portland artists’

Artist As Activist: Politics + Creativity

Art can either instigate or reflect political movements, but once social change is accomplished, it’s hard to get the toothpaste back in the tube.  This Thursday the 10th at PNCA, New Yorker cartoonist Shannon Wheeler (author of Oil and Water on the oil spill in the Gulf), editorial cartoonist Matt Bors, author/activist Lidia Yuknavitch, novelist Monica Drake, God Is Disappointed in You author Mark Russell and a climate change expert sit down with Nora Robertson to dig into how art can lead to political action. Community discussion to follow the panel at 7:00, door at 6:30.

Neon Frontier on KZME 107.1FM Debut: Sid Miller with Crow Arts Manor

 

Neon Frontier, my new radio segment on KZME 107.1FM’s Artclectic show, debuted on September 11th with an interview with Sid Miller, Burnside Review editor and director of Portland’s newest writing/arts center, Crow Arts Manor.  Neon Frontier will explore how Portland’s cultural space has evolved through conversation with the artists and makers who have shaped it.  I sat down with Sid to talk about what it means to start a DIY instituition, kind of by pulling up your own bootstraps.

Take a listen to the KZME podcast here.


Preview from Wordstock this Sunday: From Playboy to the Bible

From Playboy to the Bible: Adapting Writing for Screen and Image

New Yorker cartoonist Shannon Wheeler, writer Mark Russell and filmmaker Andy Mingo sit down with writer Nora Robertson to discuss collaboration between writers and artists in visual mediums. Get a look at a sneak peek of Mingo’s adaptation of Chuck Palahniuk’s short story “Romance” that recently appeared in Playboy, images from Wheeler and Russell’s adaptation of the Bible, God Is Disappointed in You (Top Shelf in 2012), and Robertson’s poetry film with Jason Bahling, The Humble Egg. Wordstock, Oregon Convention Center, Sunday the 9th, 4PM, Oregon Cultural Trust Stage, presented by New Oregon Arts & Letters.

From God Is Disappointed in You:

God had but one rule: do not eat from the two magic trees which he’d planted at the center of the garden. Why he put them there to begin with is anyone’s guess. But, having received this cryptic admonition, Adam and Eve’s curiosity was piqued. And having a talking snake constantly coaxing them into eating from the trees certainly didn’t help. Eventually, they succumbed to temptation, eating the magical fruit and unlocking its secret power, which seemed to consist mostly of making them uptight about nudity.

Their blatant disregard for his one and only rule introduced God to a new sensation, one he would experience many times during his long association with human beings: God was pissed off. Furious, God evicted Adam and Eve from the Garden of Eden, forcing them to fend for themselves in the surrounding wilderness. To add to their misery, God also ordered them to become parents.

 

The Evening Of Conversation: Back Room, the New Oregon Interview Series, the Dill Pickle Club, and More

When I started the New Oregon Interview Series in 2009, formal discussion of the local creative culture was in decline.  My editor Tiffany Lee Brown had been a panelist in Vera Katz’ 2001 talks on Richard Florida’s ideas about the creative economy.  In the meantime, a major recession had made a lot of creative economy theory seem irrelevant.  A more intimate approach that let the artists speak about their experience of the cultural space seemed more relevant.  It was also more in touch with a new form of entertainment: the evening of conversation.  A mostly spontaneous discussion between a moderator and participants in a casual space like a bar or restaurant, the evening of conversation is more lively because it reverses some of the traditional power dynamics of public speaking.  It’s a real conversation, and promises something any fertile civic culture needs—a public forum.  Writer Matthew Stadler told me in an interview for the New Oregon series that “public space is an action, it’s not a piazza.  It’s a set of actions that give strangers common ground.”

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The Father of the Modern Comic Novel: Art Spiegelman and Joe Sacco in Conversation at PNCA

Photo credit: Craig Sietsma

“Narrative and pictures are the core of the artistic project these days,” Art Spiegelman told moderator Joe Sacco in front of a hushed crowd at PNCA recently. Part of PNCA’s Focus Week, the evening was held in the long concrete hall of the Swigert Commons, and was packed from the floor to the balconies with students and representatives of the Portland arts community. Sacco, himself the author of American Book Award-winning graphic novel Palestine, was understated and collegial—the format was one of my favorites, a renowned artist having a conversation with another well-known artist. Spiegelman, casual and slouched in his chair, said this experimentation with words and pictures “is what became the graphic novel.” In fact, Spiegelman is often described as the father of the modern comic novel. To which Spiegelman said in a Literary Arts talk the next night, “If so, I want a paternity test.”

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Tom Marioni’s THE ACT OF DRINKING BEER WITH FRIENDS IS THE HIGHEST FORM OF ART at YU Contemporary

Tom Marioni, Café Society, Breens Café-Museum of Conceptual Art, San Francisco, 1979 (from left, Howard Fried, Mary Hellman, her dog, David Ireland, others unknown); photographer unknown; Courtesy Tom Marioni; © Tom Marioni

New arts space YU Contemporary is sure starting out with a bang. I’ve heard reams about the impact of the Portland Center for the Visual Arts on the 70′s art scene in Portland. YU’s opening exhibit is a retrospective of the PCVA’s collection and features a new installation by San Francisco-based artist Tom Marioni.

Marioni has been a seminal figure in Conceptual Art since the 1960s, encompassing sculpture, drawing, experimental music, and performance. Marioni first presented The Act of Drinking Beer with Friends is the Highest Form of Art in 1970 at the Oakland Museum, CA., and continued the action as a weekly event in various incarnations held at the Museum of Conceptual Art, SF—Marioni’s art space for conceptual installation and performance pieces. Since 1973, he has held weekly gatherings of friends each Wednesday night at the bar in his own studio. According to the artist, this piece “comes out of my art school days of drinking beer with my friends. For more than 30 years I have been hosting a salon and artists’ club in my studio and galleries as an interactive installation that is site- specific, audience- participation, social sculpture”.

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Help Get Out Plazm’s 20th Anniversary Issue

Plazm, a Portland-based arts & culture magazine, is celebrating its 20th anniversary publishing the likes of David Byrne, Storm Tharp, and David Lynch and interviews with Yoko Ono, Iggy Pop, the Magnetic Field’s Stephin Merritt and Gus Van Sant, and much more. “To my mind, we’re about importing and exporting culture,” editor and founder Josh Berger commented. You can be a part of the goodness by helping to get the next issue out through the Kickstarter below. Prizes include Jon Raymond, writer for Wendy and Lucy and HBO’s recent Mildred Pierce mini-series, naming a future character after a person of your choice.

Sid Miller Launches Crow Arts Manor: Arts Education is a Right

I always love how the Tin House summer workshop lets you hear Steve Almond talk about sex writing, or Aimee Bender talk about the plot-driven plot, all for $15. Burnside Review editor-in-chief Sid Miller is founding a new writing/arts center, Crow Arts Manor, that will make it highly accessible to work with some of the city’s finest artists such as cartoonist Jesse Reklaw, fiction writers Monica Drake and Lidia Yuknavitch, poets Emily Kendal Frey (pictured below with Miller) and Zach Schomburg and Mercury journalist Marjorie Skinner to name a few. Similar to LA writing center Beyond Baroque, Miller would like “ongoing arts education to be a right, not a privilege.”

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LIVE at the Body Show Benefit: Voodoo Doughnut Contest

Brad Fortier, Matt Bors, Karl Kling, Danielle Fish, and Stumptown’s Tony Thayer eat doughnuts creatively in the Voodoo Doughnut Contest at the Body Show Benefit. Judged by Voodoo Doughnuts owner Tres Shannon, Shannon Wheeler, and Tiffany Lee Brown. The benefit was a premiere for The Body Show:The Humble Egg, an experimental short film by Nora Robertson and Jason Bahling about a kitschy 60’s cooking show for housewives that hurtles the host into a private world of tangential madness and repressed memories of her grandmother. Hosted by Mark Russell. Documentation by Karl Lind of In the Can Productions.

LIVE at the Body Show Benefit: The Voodoo Doughnut Contest from Nora Robertson on Vimeo.

Body Show Benefit: Cartoonist Matt Bors on Afghanistan for KPFA 94.1 Berkeley + Wordstock panel with Ted Rall

Portland cartoonist Matt Bors recently traveled to Afghanistan with Ted Rall to cover the state of the country. I happened to catch his and Ted’s panel presentation at Wordstock and was super intrigued by their experiences as the sole team of unimbedded journalists covering this conflict in a place where no one, literally no one, goes on the streets at night.

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